Japanese music is distributed and streamed in various forms on YouTube and other DSPs in the world, and it is too difficult for music publishers and other rights holders in Japan to confirm whether copyright royalty fees are being collected accurately.

At the suggestion of Meserk, LLC, a company that helps maximize the collection of copyright royalties, a demonstration experiment was conducted, and a certain amount of revenue was realized.

In order to further increase royalty collection and revenues, we invited Breaker Inc. （ORFIUM Japan）, who is engaged in similar activities as Meserk, LLC, to talk about the above theme.

Prior to above, YouTube (Google) Inc. will provide an explanation on "the concept of revenue and distribution from overseas for Japanese music copyrights on YouTube" in the first half of the session.

[Co-organizer] Music Publishers Association of Japan

＊Thank you for your cooperation in the questionnaire regarding this seminar. enter here.

Moderator
Charles Mikami / Board of Director, Global Business Committee Chairman,  Music Publishers Association of Japan (MPAJ) / Sony Music Publishing (Japan) Inc.,President

【Session 1】
The concept of revenue and distribution for Japanese Music Copyrights on YouTube

Speaker
Takeya Kito / Head of Music Content Partnerships, Youtube (Google Inc)

【Session 2】
Panel discussion of Meserk, LLC and ORFIUM Japan

Speakers
Paul Goldman / Muserk LLC,, CEO (Video)
Alan Swarts /　Breaker Inc., Chief Executive Officer (ORFIUM Japan)